GILL ALEXANDER
MCDONALDLAND COOKIES Ink on Paper, 18 x 24"

DATE COMPLETED: FEBRUARY, 1990
TOTAL HOURS WORKED: 193.5
DRAFT



Part of an exhibition at the Foundry Art Centre, Saint Charles MO, 2017


Marsha earlier that day in Madison


University of Illinois Gallery, 1990


Many of my drawings have emerged out of laborious photo shoots. Receiver, Reception, Rejection, Burdens, The Back, and On Television are all examples. Capturing other subjects has seemed more like catching lightning in a bottle: Outing, Reading, Adjustments, Grill and Cast, to name several. McDonaldland Cookies was one of these. Marsha and I had taken a very cold, midwinter day trip to Madison, Wisconsin. As we were running from indoor space to indoor space to avoid death from exposure, we came across this scene. A mother had placed both her children on the high ledge of the bus shelter as a way of ensuring they would not run off and otherwise cause trouble while she was on the phone. While it was true that the kids had been bribed with cookies and soda, neither one seemed happy to be stranded here. Their protestations were, in fact rather comic. They were gesticulating wildly, and from our rather distant point of view, they seemed almost like muppets interacting with people from this unusual shelf like perch. I was laughing so hard that I had difficulty taking the shot.
As I later reconsidered the photos, the situation no longer seemed so funny. I found a certain poignancy to the whole composition. The child on the right is obviously upset. He reaches for his mother who is just out of reach. She in turn seems almost tethered by the phone cord. She leans toward him but can’t quite get there. Is he scared by the figure off to the right? We see only the reflection of this out of frame stranger. I fretted over how best to crop. I felt that so much relatively uninteresting space was included (remember it takes tens of hours - literally - for me to create this space with stippled dots); but I had wanted to include this mother’s full leaning posture. I also wanted to show the unusual height at which the children had been deposited. I remember being especially pleased with the ease with which I had been able to render the more complicated parts of this drawing, particularly the phone and the children's clothing
A print on display in multiple places in Jessica Blue's home

Print as part of a display in the home of Kim Rak

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